| “Waiting for the Bass to Drop”: Correlations between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electronic Dance Music RT Solberg Dancecult: Journal of Electronic Dance Music Culture 6 (1), 61-82, 2014 | 45* | 2014 |
| Pleasurable and Intersubjectively Embodied Experiences of Electronic Dance Music RT Solberg, AR Jensenius Empirical Musicology Review 11 (3-4), 301-318, 2017 | 30 | 2017 |
| Group behaviour and interpersonal synchronization to electronic dance music RT Solberg, AR Jensenius Musicae Scientiae, 1029864917712345, 2017 | 20 | 2017 |
| Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Dancing to Electronic Dance Music RT Solberg, AR Jensenius Logos Verlag Berlin, 2016 | 18 | 2016 |
| Peak Experiences with Electronic Dance Music: Subjective Experiences, Physiological Responses, and Musical Characteristics of the Break Routine RT Solberg, N Dibben Music Perception: An Interdisciplinary Journal 36 (4), 371-389, 2019 | 9 | 2019 |
| Feeling, moving and grooving in timelessness: ein studie av tidsoppleving knytt til elektronisk dansemusikk (EDM) RT Solberg | 4 | 2011 |
| Exploring the club experience: Affective and bodily experiences of electronic dance music RT Solberg International Conference of Students of Systematic Musicology, 2014 | 1 | 2014 |
| Peak experiences with electronic dance music: subjective experiences, physiological responses, and musical characteristics of the break routine N Dibben, RT Solberg Music Perception, 2018 | | 2018 |
| GROUP INTERACTION AND SYNCHRONISATION TO MUSICAL PASSAGES OF ELECTRONIC DANCE MUSIC RT Solberg, AR Jensenius DHN 2016 Oslo March 15-17 26 (2), 147, 0 | | |
