| Music, space and place: popular music and cultural identity A Bennett Routledge, 2017 | 384 | 2017 |
| Settling the pop score: Pop texts and identity politics S Hawkins Routledge, 2017 | 308 | 2017 |
| The British pop dandy: Masculinity, popular music and culture S Hawkins Routledge, 2017 | 280 | 2017 |
| Queerness in pop music: Aesthetics, gender norms, and temporality S Hawkins Routledge, 2015 | 135 | 2015 |
| Music, space and place A Bennett, S Hawkins Music, space and place: Popular music and cultural identity, 2-8, 2004 | 94 | 2004 |
| Feel the beat come down: house music as rhetoric S Hawkins Analyzing popular music 80, 102, 2003 | 83 | 2003 |
| Prince: The making of a pop music phenomenon S Hawkins, S Niblock Routledge, 2016 | 80 | 2016 |
| Remodeling Britney Spears: Matters of intoxication and mediation S Hawkins, J Richardson Pop Music and Easy Listening, 57-81, 2017 | 71 | 2017 |
| How genres are born, change, die: Conventions, communities and diachronic processes F Fabbri Critical Musicological Reflections, 179-191, 2016 | 66 | 2016 |
| The Routledge research companion to popular music and gender S Hawkins Taylor & Francis, 2017 | 59 | 2017 |
| Sgt. Pepper and the Beatles: It Was Forty Years Ago Today S Hawkins, L Burns Ashgate Publishing, Ltd., 2013 | 59 | 2013 |
| The Pet Shop Boys: musicology, masculinity and banality S Hawkins Sexing The Groove, 118-133, 2013 | 56 | 2013 |
| Anatomy of the encounter: Intercultural analysis as relational musicology N Cook Critical Musicological Reflections, 193-208, 2016 | 52 | 2016 |
| Perspectives in popular musicology: music, Lennox, and meaning in 1990s pop1 S Hawkins Popular Music 15 (1), 17-36, 1996 | 52 | 1996 |
| Prince: harmonic analysis of ‘Anna Stesia’ S Hawkins Popular Music 11 (3), 325-335, 1992 | 45 | 1992 |
| On male queering in mainstream pop S Hawkins Queering the popular pitch, 280-295, 2013 | 38 | 2013 |
| The Bloomsbury Handbook of Popular Music Video Analysis LA Burns, S Hawkins Bloomsbury Publishing USA, 2019 | 36 | 2019 |
| Aesthetics and hyperembodiment in pop videos: Rihanna’s “Umbrella” S Hawkins The Oxford handbook of new audiovisual aesthetics, 466-482, 2013 | 36 | 2013 |
| Musicological quagmires in popular music: seeds of detailed conflict S Hawkins Popular Musicology Online 1, 2001 | 34 | 2001 |
| Dragging out camp: narrative agendas in Madonna’s musical production S Hawkins Madonna's Drowned Worlds, 3-21, 2017 | 32 | 2017 |
Andy BennettProfessor of Cultural Sociology, Griffith UniversityVerifisert e-postadresse på griffith.edu.au
