| Music technology, gender, and class: Digitization, educational and social change in Britain G Born, K Devine Twentieth-Century Music 12 (2), 135-172, 2015 | 188 | 2015 |
| Decomposed: The Political Ecology of Music K Devine | 156 | 2019 |
| The Routledge reader on the sociology of music J Shepherd, K Devine Routledge, 2015 | 90* | 2015 |
| Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction K Devine Popular Music 32 (2), 159-176, 2013 | 87 | 2013 |
| Decomposed: a political ecology of music K Devine Popular Music 34 (3), 367-389, 2015 | 86 | 2015 |
| Gender, creativity and education in digital musics and sound art G Born, K Devine Contemporary Music Review 35 (1), 1-20, 2016 | 59 | 2016 |
| Living Stereo: Histories and Cultures of Multichannel Sound P Th, K Devine, T Everrett Bloomsbury Publishing USA, 2015 | 53 | 2015 |
| The cost of music M Brennan, K Devine Popular Music 39 (1), 43-65, 2020 | 35 | 2020 |
| Audible Infrastructures K Devine, A Boudreault-Fournier Oxford University Press, 2021 | 30 | 2021 |
| Living Stereo P Théberge, T Everrett, K Devine Living Stereo, 1-304, 2015 | 22 | 2015 |
| Introduction: Music and the Sociological Imagination—Pasts and Prospects J Shepherd, K Devine The Routledge reader on the sociology of music, 1-21, 2015 | 20 | 2015 |
| A mysterious music in the air: cultural origins of the loudspeaker. K Devine Popular Music History 8 (1), 2013 | 19 | 2013 |
| Imperfect sound forever: loudness, listening, formations, and the historiography of sound reproduction KR Devine Carleton University, 2012 | 9 | 2012 |
| Musicology without Music K Devine On Popular Music and Its Unruly Entanglements, 15-37, 2019 | 6 | 2019 |
| L’intensité matérielle de l’écoute musicale sous forme de données K Devine Où va la musique? Numérimorphose et nouvelles expériences d'écoute, 47–64, 2016 | 4 | 2016 |
| On Popular Music Studies in Canada: An Interview with John Shepherd by Kyle Devine K Devine, J Shepherd MUSICultures 48, 276-291, 2021 | | 2021 |
| Desert Island Discomorphoses: Listening Formations and the Material Cultures of Music K Devine Defning the Discographic Self: Desert Island Discs in Context, 67-82, 2017 | | 2017 |
| Sustainability, Solutionism, and the Problem of Music. Kyle Devine interviewed by Christoph Jacke K Devine | | |
Georgina BornProfessor of Music and Anthropology, University of OxfordVerifisert e-postadresse på music.ox.ac.uk
