Julie E. Cumming
Julie E. Cumming
Verified email at mcgill.ca
Title
Cited by
Cited by
Year
The motet in the age of Du Fay
JE Cumming
Cambridge University Press, 2003
722003
Introduction to SIMSSA (single interface for music score searching and analysis)
I Fujinaga, A Hankinson, JE Cumming
Proceedings of the 1st international workshop on digital libraries for …, 2014
292014
Gluck's Iphigenia Operas: Sources and Strategies
JE Cumming, T Bauman
271995
Renaissance Improvisation and Musicology
JE Cumming
Music Theory Online 19 (2), 2013
222013
Composing Imitative Counterpoint around a Cantus Firmus: Two Motets by Heinrich Isaac
JE Cumming
The Journal of Musicology 28 (3), 231-288, 2011
192011
From variety to repetition: The birth of imitative polyphony
J Cumming
Yearbook of the Alamire Foundation 6, 21-44, 2008
182008
Music for the Doge in early renaissance Venice
JE Cumming
Speculum 67 (2), 324-364, 1992
181992
The VIS Framework: Analyzing Counterpoint in Large Datasets.
C Antila, J Cumming
ISMIR, 71-76, 2014
172014
12 The origins of pervasive imitation
JE Cumming, P Schubert
The Cambridge History of Fifteenth-Century Music, 2015
152015
“In the Church and in the Chapel” Music and Devotional Spaces in the Florentine Church of Santissima Annunziata
G Zanovello
Journal of the American Musicological Society 67 (2), 379-428, 2014
132014
JSYMBOLIC 2.2: Extracting Features from Symbolic Music for use in Musicological and MIR Research.
C McKay, J Cumming, I Fujinaga
ISMIR, 348-354, 2018
122018
Text Setting and Imitative Technique in Petrucci’s First Five Motet Prints
JE Cumming
The Motet around 1500: On the Relationship of Imitation and Text Treatment …, 2012
112012
Concord out of discord: Occasional motets of the early quattrocento.
JE Cumming
111989
The Goddess Fortuna Revisited
JE Cumming
Current Musicology, 7, 1980
101980
Another lesson from Lassus: using computers to analyse counterpoint
P Schubert, J Cumming
Early Music 43 (4), 577-586, 2015
82015
Methodologies for Creating Symbolic Corpora of Western Music Before 1600.
J Cumming, C McKay, J Stuchbery, I Fujinaga
ISMIR, 491-498, 2018
62018
From Chapel Choirbook to Print Partbook and Back Again
JE Cumming
From Chapel Choirbook to Print Partbook and Back Again, 373-403, 2007
62007
Using statistical feature extraction to distinguish the styles of different composers
C McKay, T Tenaglia, J Cumming, I Fujinaga
45th Medieval and Renaissance Music Conf, 2017
52017
Text and motif c.1500: a new approach to text underlay
P Schubert, JE Cumming
Early Music 40 (1), 3-14, 2012
52012
The Aesthetics of the Medieval Motet and Cantilena
JE Cumming
Historical Performance 7, 71-83, 1994
51994
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Articles 1–20