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Tychonas Michailidis
Tychonas Michailidis
Lecturer in Digital Media Technology
Verified email at bcu.ac.uk - Homepage
Title
Cited by
Cited by
Year
Live Electronics in Practice: Approaches to training professional performers
J Bullock, L Coccioli, J Dooley, T Michailidis
Organised Sound 18 (2), 170-177, 2013
192013
TACTILE FEEDBACK TOOL: APPROACHING THE FOOT PEDAL PROBLEM IN LIVE ELECTRONIC MUSIC
T Michailidis, S Berweck
ICMC 2011, 2011
132011
IMPROVING PERFORMERS’MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY
T Michailidis, J Bullock
SMC, 2011
132011
On the hunt for feedback: vibrotactile feedback in interactive electronic music performances
T Michailidis
Birmingham City University, 2016
102016
Towards a live interface for direct manipulation of spatial audio
J Bullock, T Michailidis, M Poyade
Proceedings of the international conference on live interfaces, 2016
82016
Human-sound interaction: towards a human-centred sonic interaction design approach
BD Donato, C Dewey, T Michailidis
Proceedings of the 7th International Conference on Movement and Computing, 1-4, 2020
62020
Using immersive audio and vibration to enhance remote diagnosis of mechanical failure in uncrewed vessels
C Barlow, T Michailidis, G Meadow, J Gouch, E Rajabally
Audio Engineering Society Conference: 2019 AES International Conference on …, 2019
62019
Implementing remote audio as a diagnostics tool for maritime autonomous surface ships
T Michailidis, G Meadow, C Barlow, E Rajabally
2020 27th Conference of Open Innovations Association (FRUCT), 157-163, 2020
42020
Making Graphical Scores More Accessible: A Case Study
C Karpodini, T Michailidis
Proceedings of the International Conference on Technologies for Music …, 2022
22022
Harnessing Ancillary Microgestures in Piano Technique: Implementing Microgestural Control Into an Expressive Keyboard-Based Hyper-Instrument
N Granieri, J Dooley, T Michailidis
Innovation in Music, 269-282, 2019
22019
Improvising through the senses: a performance approach with the indirect use of technology
T Michailidis, J Dooley, N Granieri, B Di Donato
Digital Creativity 29 (2-3), 149-164, 2018
22018
Enhance engine room diagnostics through audio-focused VR simulation
T Michailidis, C Barlow, G Meadow, J Gouch, E Rajabally
Human-Computer Interaction–INTERACT 2019: 17th IFIP TC 13 International …, 2019
12019
A multimodal integration of sensory feedback modalities for dance performers
T Michailidis, D Polydorou, J Bullock
12013
Retaining pianistic virtuosity in# MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study
N Granieri, J Dooley, T Michailidis
Innovation in Music, 146-161, 2021
2021
I am not listening: poem object as hybrid publication in the post-digital era
S Morfill, A Čavić, T Michailidis
Smithsonian Scholarly Press, 2021
2021
Human-Sound Interaction (HSI) workshop
B Di Donato
University of Leicester, 2020
2020
Enhancing spatial perception of virtual object through mid-air feedback for disabled users
T Michailidis
International Conference on Information, Communication Technologies in …, 2019
2019
I am not listening
T Michailidis, A Čavić, S Morfill
The Electronic Literature Organization Conference & Media Arts Festiva, 2019
2019
Implementing Microgestural Control Into an Expressive Keyboard-Based Hyper-Instrument
N Granieri, J Dooley, T Michailidis
Innovation in Music: Performance, Production, Technology, and Business, 2019
2019
3D mid-air audio-haptic navigation for digital signage
T Michailidis, CB Christopher Barlow, JMP Jaz Marshall-Porter
CHI conference proceedings 2019, 2019
2019
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