AAM: a dataset of Artificial Audio Multitracks for diverse music information retrieval tasks F Ostermann, I Vatolkin, M Ebeling EURASIP Journal on Audio, Speech, and Music Processing 2023 (1), 13, 2023 | 6 | 2023 |
An evolutionary multi-objective feature selection approach for detecting music segment boundaries of specific types I Vatolkin, F Ostermann, M Müller Proceedings of the Genetic and Evolutionary Computation Conference, 1061-1069, 2021 | 4 | 2021 |
Evaluating Creativity in Automatic Reactive Accompaniment of Jazz Improvisation. F Ostermann, I Vatolkin, G Rudolph Transactions of the International Society for Music Information Retrieval 4 …, 2021 | 3 | 2021 |
Application of Neural Architecture Search to Instrument Recognition in Polyphonic Audio L Fricke, I Vatolkin, F Ostermann International Conference on Computational Intelligence in Music, Sound, Art …, 2023 | 2 | 2023 |
Evaluation rules for evolutionary generation of drum patterns in jazz solos F Ostermann, I Vatolkin, G Rudolph Computational Intelligence in Music, Sound, Art and Design: 6th …, 2017 | 2 | 2017 |
Adaptation and Optimization of AugmentedNet for Roman Numeral Analysis Applied to Audio Signals L Fricke, M Gotham, F Ostermann, I Vatolkin International Conference on Computational Intelligence in Music, Sound, Art …, 2024 | | 2024 |
Adaptive video game music as a multi-objective benchmark for conditional autoregressive models F Ostermann Proceedings-33. Workshop Computational Intelligence: Berlin, 23.-24 …, 2023 | | 2023 |
Musical Genre Recognition Based on Deep Descriptors of Harmony, Instrumentation, and Segments I Vatolkin, M Gotham, NN López, F Ostermann International Conference on Computational Intelligence in Music, Sound, Art …, 2023 | | 2023 |
Ortung einer akustischen Quelle im Roboterfußball mittels Multilateration F Ostermann TU Dortmund University, 2020 | | 2020 |
Erzeugung perkussiver Muster zur Echtzeitbegleitung von Jazz-Soli F Ostermann TU Dortmund University, 2015 | | 2015 |
Musical Genre Recognition based on Deep Descriptors of Harmony, Instrumentation, and Segments N López, F Ostermann | | |