Bradley W. Vines
Bradley W. Vines
Chief Science Officer
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Cited by
Cited by
Cross-modal interactions in the perception of musical performance
BW Vines, CL Krumhansl, MM Wanderley, DJ Levitin
Cognition 101 (1), 80-113, 2006
Dual-hemisphere tDCS facilitates greater improvements for healthy subjects' non-dominant hand compared to uni-hemisphere stimulation
BW Vines, C Cerruti, G Schlaug
BMC neuroscience 9 (1), 1-7, 2008
The musical significance of clarinetists' ancillary gestures: An exploration of the field
MM Wanderley, BW Vines, N Middleton, C McKay, W Hatch
Journal of New Music Research 34 (1), 97-113, 2005
Contralateral and ipsilateral motor effects after transcranial direct current stimulation
BW Vines, DG Nair, G Schlaug
Neuroreport 17 (6), 671-674, 2006
Valproate reopens critical-period learning of absolute pitch
J Gervain, BW Vines, LM Chen, RJ Seo, TK Hensch, JF Werker, ...
Frontiers in systems neuroscience 7, 102, 2013
Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance
BW Vines, CL Krumhansl, MM Wanderley, IM Dalca, DJ Levitin
Cognition 118 (2), 157-170, 2011
Non-invasive brain stimulation enhances the effects of melodic intonation therapy
BW Vines, AC Norton, G Schlaug
Frontiers in psychology 2, 230, 2011
Testing for causality with transcranial direct current stimulation: pitch memory and the left supramarginal gyrus
BW Vines, NM Schnider, G Schlaug
Neuroreport 17 (10), 1047, 2006
Introduction to functional data analysis.
DJ Levitin, RL Nuzzo, BW Vines, JO Ramsay
Canadian Psychology/Psychologie canadienne 48 (3), 135, 2007
Performance gestures of musicians: What structural and emotional information do they convey?
BW Vines, MM Wanderley, CL Krumhansl, RL Nuzzo, DJ Levitin
International Gesture Workshop, 468-478, 2003
Influences of large-scale form on continuous ratings in response to a contemporary piece in a live concert setting
S McAdams, BW Vines, S Vieillard, BK Smith, R Reynolds
Music Perception 22 (2), 297-350, 2004
Modulating activity in the motor cortex affects performance for the two hands differently depending upon which hemisphere is stimulated
BW Vines, D Nair, G Schlaug
European Journal of Neuroscience 28 (8), 1667-1673, 2008
Dimensions of emotion in expressive musical performance
BW Vines, CL Krumhansl, MM Wanderley, MD Ioana, DJ Levitin
Ann. NY Acad. Sci 1060, 462-466, 2005
Analyzing Temporal Dynamics in Music:: Differential Calculus, Physics, and Functional Data Analysis Techniques
BW Vines, RL Nuzzo, DJ Levitin
Music Perception 23 (2), 137-152, 2005
Origins and functions of clarinettists’ ancillary gestures
MW Marcelo, WV Bradley
Music and gesture, 165-191, 2017
Cross-modal influences of affect across social and non-social domains in individuals with Williams syndrome
A Järvinen-Pasley, BW Vines, KJ Hill, A Yam, M Grichanik, D Mills, ...
Neuropsychologia 48 (2), 456-466, 2010
Expressive movements of clarinetists: Quantification and musical considerations
MM Wanderley, BW Vines, N Middleton, C McKay, W Hatch
Submitted for publication, 2004
Stimulating music: combining melodic intonation therapy with transcranial DC stimulation to facilitate speech recovery after stroke
BW Vines, AC Norton, G Schlaug
Transmitters and Modulators in Health and Disease, 103-114, 2009
Vines (2006). Origins and functions of clarinettist’s ancillary gestures
MM Wanderley, W Bradley
Music and gesture, 165-191, 0
Visual Music: The Perceptual Impact of Seeing a Clarinettist Perform
B Vines, R Nizzo, CL Krumhansl, M Wanderley, D Levitin, S Lipscomb, ...
Proceedings of the Eighth International Conference on Music Perception and …, 2004
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