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Anne Danielsen
Anne Danielsen
University of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion
Verified email at imv.uio.no - Homepage
Title
Cited by
Cited by
Year
Presence and pleasure: The funk grooves of James Brown and Parliament
A Danielsen
Wesleyan University Press, 2006
4442006
Musical rhythm in the age of digital reproduction
A Danielsen
Ashgate/Routledge, 2010
1872010
Digital signatures: The impact of digitization on popular music sound
R Brøvig, A Danielsen
Mit Press, 2016
1752016
Here, There, and Everywhere. Three Accounts of Pulse in D'Angelo's 'Left and Right'
A Danielsen
Musical Rhythm in the Age of Digital Reproduction, 19-35, 2010
108*2010
Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds.
A Danielsen, K Nymoen, E Anderson, GS Câmara, MT Langerød, ...
Journal of Experimental Psychology: Human Perception and Performance 45 (3), 402, 2019
842019
Forum on transcription
J Stanyek
Twentieth-Century Music 11 (1), 101-161, 2014
592014
Groove
G Schmidt Câmara, A Danielsen
The Oxford Handbook of Critical Concepts in Music Theory, 271-294, 2018
57*2018
The mediated festival: Live music as trigger of streaming and social media engagement
A Danielsen, Y Kjus
Convergence 25 (4), 714-734, 2019
522019
His name was Prince: a study of 'Diamonds and Pearls'
A Danielsen
Popular Music 16 (3), 275-291, 1997
491997
Introduction: Rhythm in the age of digital reproduction
A Danielsen
Musical rhythm in the age of digital reproduction, 1-16, 2016
482016
The sound of crossover: Micro-rhythm and sonic pleasure in Michael Jackson's “Don't stop'til you get enough”
A Danielsen
Popular Music and Society 35 (2), 151-168, 2012
482012
Live islands in the seas of recordings: The music experience of visitors at the Øya Festival
Y Kjus, A Danielsen
Popular Music and Society 37 (5), 660-679, 2014
472014
Pulse as Dynamic Attending. Analysing Beat Bin Metre in Neo Soul Grooves
A Danielsen
The Routledge companion to popular music analysis: Expanding approaches, 179-189, 2018
452018
The Naturalised and the Surreal: changes in the perception of popular music sound
R Brøvig-Hanssen, A Danielsen
Organised Sound 18 (1), 71-80, 2013
422013
Mediating Music: materiality and silence in Madonna's ‘Don't Tell Me’
A Danielsen, A Maasø
Popular Music 28 (2), 127-142, 2009
422009
Live mediation: Performing concerts using studio technology
Y Kjus, A Danielsen
Popular Music 35 (3), 320-337, 2016
332016
Effects of instructed timing and tempo on snare drum sound in drum kit performance
A Danielsen, CH Waadeland, HG Sundt, MAG Witek
The Journal of the Acoustical Society of America 138 (4), 2301-2316, 2015
332015
The musicalization of 'reality': Reality rap and rap reality on Public Enemy's Fear of a Black Planet
A Danielsen
European Journal of Cultural Studies 11 (4), 405-421, 2008
332008
Aesthetic value, cultural significance, and canon formation in popular music
A Danielsen
Studia Musicologica 33, 55-72, 2006
322006
Timing is everything… or is it? Effects of instructed timing style, reference, and pattern on drum kit sound in groove-based performance
GS Câmara, K Nymoen, O Lartillot, A Danielsen
Music Perception: An Interdisciplinary Journal 38 (1), 1-26, 2020
302020
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