| Freischütz Digital: Demos of Audiorelated Contributions T Prätzlich, M Müller, BW Bohl, J Veit Demos and Late Breaking News of the International Society for Music …, 2015 | 14 | 2015 |
| Freischutz digital: A multimodal scenario for informed music processing M Müller, T Prätzlich, B Bohl, J Veit 2013 14th International Workshop on Image Analysis for Multimedia …, 2013 | 7 | 2013 |
| Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts B Bohl, J Kepper, D Röwenstrunk Die Tonkunst 5, 270-276, 2011 | 7 | 2011 |
| Interactive Scores in Classical Music Production. S Waloschek, A Berndt, BW Bohl, A Hadjakos ISMIR, 668-673, 2016 | 4 | 2016 |
| Supporting the emerging community of MEI: the current landscape of tools for note entry and digital editing BW Bohl, D Röwenstrunk, R Viglianti Digital Humanities 2012, 2012 | 4 | 2012 |
| Dem Igel Sitte lehren...: Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung BW Bohl, A Berndt, S Waloschek, A Hadjakos Sächsische Landesbibliothek-Staats-und Universitätsbibliothek Dresden, 2018 | 2 | 2018 |
| Accelerating the Editing Phase in Music Productions using Interactive Scores S Waloschek, A Berndt, BW Bohl, A Hadjakos Proceedings of the 2nd AES Workshop on Intelligent Music Production 13, 2016 | 2 | 2016 |
| Music Performance Markup: Formale Beschreibung musikalischer Interpretationen A Berndt, BW Bohl Editio 32 (1), 185-204, 2018 | 1 | 2018 |
| Formate als Sackgassen: Handlungsempfehlungen. BW Bohl, A Berndt, B Senft DHd, 2016 | 1 | 2016 |
| Der Gang durch die Domänen BW Bohl, T Prätzlich, M Müller, J Veit Jahrestagung der Digital Humanities im deutschsprachigen Raum:” Von Daten zu …, 2015 | 1 | 2015 |
| XML Music Performance Description: Reflections on and Future Developments of the Music Performance Markup Format A Berndt, BW Bohl Music Encoding Conference 2016, 0 | 1* | |
| ODD Structures and Where to Find Them BW Bohl, J Kepper Universidad de Alicante, 2022 | | 2022 |
| Dem Igel Sitte lehren… BW Bohl, A Berndt, S Waloschek, A Hadjakos | | 2016 |
| Annotating in Digital Music Edition-concepts, processes and visualisation of annotations N Beer, BW Bohl, J Seuffert ADHO 2014-Lausanne, 2014 | | 2014 |
| A stand-off critical apparatus for the libretto of Der Freischütz R Viglianti, S Schreiter, B Bohl The Linked TEI: Text Encoding in the Web. TEI Conference and Members Meeting …, 2013 | | 2013 |
| » Play it again, Sam «–Levels of Complexity in Encoding Performance Personnel BW Bohl, D Ried Music Encoding Conference 2022, 0 | | |
| Konzertante Werke für Klarinette CM Weber, F Heidlberger, J Veit, BW Bohl, D Röwenstrunk, P Jacobsen (No Title), 0 | | |
Meinard MüllerInternational Audio Laboratories Erlangen, Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU)Verified email at audiolabs-erlangen.de
