| Modernising live electronics technology in the works of Jonathan Harvey J Bullock, L Coccioli ICMC, 2005 | 25 | 2005 |
| Live Electronics in Practice: Approaches to training professional performers J Bullock, L Coccioli, J Dooley, T Michailidis Organised Sound 18 (2), 170-177, 2013 | 21 | 2013 |
| Modernising musical works involving Yamaha DX-based synthesis: a case study J Bullock, L Coccioli Organised sound 11 (3), 221-227, 2006 | 12 | 2006 |
| Sustainability of ‘live electronic’music in the Integra project J Bullock, HA Frisk, L Coccioli MELECON 2008-The 14th IEEE Mediterranean Electrotechnical Conference, 182-187, 2008 | 8 | 2008 |
| Towards a Humane Graphical User Interface for Live Electronic Music. J Bullock, L Coccioli NIME, 266-267, 2009 | 7 | 2009 |
| HarpCI, empowering performers to control and transform harp sounds in live performance B Di Donato, J Dooley, L Coccioli Contemporary Music Review 38 (6), 667-686, 2019 | 3 | 2019 |
| From culture to nature and back. A personal journey through the soundscapes of Colombia L Coccioli Journal of Sonic Studies, 2020 | | 2020 |
| Beauty and the Beast The Faustian Bargain between Music and Techne L Coccioli | | 2013 |
| Integra Live: A New Software Environment for the Composition and Performance of Live Electronic Music J Bullock, L Coccioli Birmingham City University, 2010 | | 2010 |
| Book of hours J Anderson, L Coccioli, S Wilson, E Dutch, P Currie, M Phillips, P Dyson, ... NMC, 2006 | | 2006 |
| Beauty and the Beast L Coccioli | | |
Jamie BullockSenior Developer, LWKSVerified email at jamiebullock.com
