| Real-world evolution adapts robot morphology and control to hardware limitations TF Nygaard, CP Martin, E Samuelsen, J Torresen, K Glette Proceedings of the Genetic and Evolutionary Computation Conference, 125-132, 2018 | 14 | 2018 |
| RoboJam: A musical mixture density network for collaborative touchscreen interaction CP Martin, J Torresen International Conference on Computational Intelligence in Music, Sound, Art …, 2018 | 14 | 2018 |
| Tracking Ensemble Performance on Touch-Screens with Gesture Classification and Transition Matrices C Martin, H Gardner, B Swift Proceedings of the International Conference on New Interfaces for Musical …, 2015 | 14 | 2015 |
| Exploring percussive gesture on iPads with Ensemble Metatone C Martin, H Gardner, B Swift Proceedings of the SIGCHI conference on human factors in computing systems …, 2014 | 10 | 2014 |
| Intelligent agents and networked buttons improve free-improvised ensemble music-making on touch-screens C Martin, H Gardner, B Swift, M Martin Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems …, 2016 | 8 | 2016 |
| Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD. C Martin, B Forster, H Cormick NIME, 204-207, 2010 | 7 | 2010 |
| Self-modifying morphology experiments with DyRET: dynamic robot for embodied testing TF Nygaard, CP Martin, J Torresen, K Glette 2019 International Conference on Robotics and Automation (ICRA), 9446-9452, 2019 | 6 | 2019 |
| Deep predictive models in interactive music CP Martin, KO Ellefsen, J Torresen arXiv preprint arXiv:1801.10492, 2018 | 5 | 2018 |
| A percussion-focussed approach to preserving touch-screen improvisation C Martin, H Gardner Curating the Digital, 51-72, 2016 | 5 | 2016 |
| Percussion and Computer in Live Performance C Martin Master’s thesis, School of Music, The Australian National University, 2009 | 5* | 2009 |
| Exploring mechanically self-reconfiguring robots for autonomous design TF Nygaard, CP Martin, J Torresen, K Glette arXiv preprint arXiv:1805.02965, 2018 | 4 | 2018 |
| Deep models for ensemble touch-screen improvisation CP Martin, KO Ellefsen, J Torresen Proceedings of the 12th International Audio Mostly Conference on Augmented …, 2017 | 4 | 2017 |
| Music of 18 Performances: Evaluating Apps and Agents with Free Improvisation C Martin, H Gardner, B Swift, M Martin Proceedings of the 2015 Conference of the Australasian Computer Music …, 2015 | 4 | 2015 |
| That Syncing Feeling: Networked Strategies for Enabling Ensemble Creativity in iPad Musicians C Martin, H Gardner Proceedings of CreateWorld, 2015 | 4 | 2015 |
| MetaTravels and MetaLonsdale: iPad apps for percussive improvisation C Martin, H Gardner, B Swift CHI'14 Extended Abstracts on Human Factors in Computing Systems, 547-550, 2014 | 4 | 2014 |
| Making Improvised Music for iPad and Percussion with Ensemble Metatone C Martin Australasian Computer Music Conference, 115-118, 2014 | 4 | 2014 |
| Creating mobile computer music for percussionists: Snow Music C Martin Interactive: Australasian Computer Music Conference 2012 Conference …, 2012 | 4 | 2012 |
| Mobile computer music for percussionists C Martin | 4 | 2012 |
| Exploring social mobile music with tiny touch-screen performances CP Martin, J Tørresen Proceedings of the SMC Conferences, 175-180, 2017 | 3 | 2017 |
| Apps, Agents, and Improvisation: Ensemble Interaction with Touch-Screen Digital Musical Instruments CP Martin The Australian National University, 2016 | 3 | 2016 |
Jim TorresenProfessor University of OsloVerified email at ifi.uio.no
