| The changing sound of music: Approaches to studying recorded musical performances D Leech-Wilkinson Centre for the History and Analysis of Recorded Music, 2009 | 257 | 2009 |
| The modern invention of medieval music: scholarship, ideology, performance D Leech-Wilkinson Cambridge University Press, 2002 | 227 | 2002 |
| The Cambridge companion to recorded music N Cook, E Clarke, D Leech-Wilkinson, J Rink Cambridge University Press, 2009 | 176 | 2009 |
| Compositions, scores, performances, meanings. D Leech-Wilkinson Music Theory Online 18 (1), 2012 | 120 | 2012 |
| Recordings and histories of performance style D Leech-Wilkinson The Cambridge companion to recorded music, 246-262, 2009 | 93 | 2009 |
| Portamento and musical meaning D Leech-Wilkinson Journal of Musicological Research 25 (3-4), 233-261, 2006 | 85 | 2006 |
| Machaut's Mass: an introduction D Leech-Wilkinson, M Guillaume (No Title), 1990 | 83 | 1990 |
| Classical music as enforced utopia D Leech-Wilkinson Arts and Humanities in Higher Education 15 (3-4), 325-336, 2016 | 81 | 2016 |
| Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time MB Küssner, D Tidhar, HM Prior, D Leech-Wilkinson Frontiers in psychology 5, 789, 2014 | 79 | 2014 |
| The limits of authenticity: a discussion R Taruskin, D Leech-Wilkinson, N Temperley, R Winter Early Music 12, 3, 1984 | 63 | 1984 |
| A musicologist’s guide to Sonic Visualiser N Cook, D Leech-Wilkinson London: Centre for the History and Analysis of Recorded Music. http://www …, 2009 | 61 | 2009 |
| Investigating the influence of musical training on cross-modal correspondences and sensorimotor skills in a real-time drawing paradigm MB Küssner, D Leech-Wilkinson Psychology of Music 42 (3), 448-469, 2014 | 58 | 2014 |
| Le Livre Dou Voir Dit: The Book of the True Poem; Translated by R. Barton Palmer G De Machaut, D Leech-Wilkinson, RB Palmer Garland Publishing, 1998 | 57 | 1998 |
| authentic to such a small degree that the word loses most of its intended meaning' D Leech-Wilkinson Early Music 12 (1), 13-16, 1984 | 57 | 1984 |
| Challenging performance: Classical music performance norms and how to escape them D Leech-Wilkinson | 53 | 2020 |
| Machaut's' Rose, Lis' and the problem of early music analysis D Leech-Wilkinson Music analysis 3 (1), 9-28, 1984 | 50 | 1984 |
| Performance style in Elena Gerhardt's Schubert song recordings D Leech-Wilkinson Musicae Scientiae 14 (2), 57-84, 2010 | 46 | 2010 |
| The Emergence of ars nova D Leech-Wilkinson The Journal of Musicology 13 (3), 285-317, 1995 | 40 | 1995 |
| Compositional techniques in the four-part isorythmic motets of Philippe de Vitry and his contemporaries D Leech-Wilkinson (No Title), 1989 | 40 | 1989 |
| Musicology and performance D Leech-Wilkinson Music’s Intellectual History: Founders, followers, and fads, 791-804, 2009 | 36 | 2009 |
